Wednesday, July 25, 2018

A Solid Summer Read: The Perfect Mother (Molloy)

I keep vowing to catch up, but alas....

So, here's a single review to keep you in the loop until I stop reading long enough to write :)



Since I had, admittedly enjoyed Big Little Lies (book...haven't seen the show), I was intrigued by this one and scooped it up from the publisher in exchange for this honest review.

The May Mothers met online while expecting and had a number of gatherings both before and after their spring babies arrived.  They decide that it is time for a baby-free frolic and gather for some fun at a bar. It is during this time that the unimaginable occurs and one baby vanishes from his crib. Both that story and the more general look at motherhood unfolds through the vantage point of a small subgroup of ladies who connect despite having quite different lives. And the reader peers in at different moments in the search for the missing child.

This is both a thriller and a look at motherhood today (for the record, I'm not a mom so can't fully gauge the authenticity  here). While the former is the headline plot (yes, I did just make that description up)...and I didn't see the ending coming there...it was the latter that kept me reading. From negotiating the working mom role to dealing with a harder baby and experiencing more than a little emotional turmoil, the different stories of the revolving narrators (a device that risks being overdone but also allows a writer to venture down several paths without making one character take too twisty a road) made me enjoy picking up this one.

Call it a beach read or something of that sort...not a hard read by any means and not in the "literary fiction" arena... and take it as that.  3.5 to 4 stars.

Sunday, May 27, 2018

What We Carry: The Things (Property: Stories Between Two Novellas by Lionel Shriver) and Memories (The Lost Family by Jenna Blum)


When I opted to read a free advance copy in exchange for an unbiased review of Property, I felt a bit conflicted. To the extent the words make sense, I enjoyed We Need to Talk About Kevin. I haven't, however, been a fan of the two other pieces by Shriver that I've read, even putting aside the diss on my alma matter (prep school star "So I tossed it. I didn't apply to Yale or Harvard, but Haverford.") in The New Republic. And I'm not usually a huge fan of short stories. Yet, something drew me to this one and, unlike with the last two attempts, I'm glad I did.

As the title hints, this collection has two longer short stories and a series of shorter ones sandwiched in between. They all revolve, in one way or another, around property...from a gift spurned to a home shared to mail undelivered. It could have felt like a gimmick, but it didn't because each story was unique and took a different approach. I greatly enjoyed The Standing Chandelier, which could sound like a trope itself with a friendship between a man and a woman threatened when the man falls in love with a woman, but managed not to feel like a story I'd heard before. I think one of the shortest tales, about a mail man who simply -- though strategically enough to avoid being caught -- stops delivering some of the mail, was among my favorites (the ending was the best part!).

An enjoyable collection for people who enjoy words and pondering the many ponderings they can inspire. 4 stars. 


The last review I wrote was a book I went into with a heavy dose of skepticism. In contrast, this one fell into my traditional wheelhouse. I've read a good deal of Holocaust-related (or -adjacent) fiction and I fall for characters more than story-lines. But, while it started strong, i came away from this one fairly disappointed.

Peter is a chef. When we meet him, he's working in his own fancy restaurant and he's about to meet a woman he'll fall in love with almost instantaneously. But, Peter is very much a man haunted by his past. His restaurant is named after his first wife, who perished along with their young twin girls in the Holocaust. Peter survived, a fate filled with irony since his wife was not Jewish but merely "guilty by association."

Peter goes on, in time, build a new family. But there is a void that they all feel, a void possibly enhanced by Peter's silence.  Other plotlines are too spoilery, though a brief mention of some biological family....called cousins but at least once removed and who lived in the U.S. during the war...is worthwhile.

I really enjoyed the early sections of the book, esp a notable scene from early in Peter's chef days (he was from a wealthy family and the career choice was not popular w his family...nor was the non-Jewish wife) and scenes of the family during the fearful build-up of Hitlervs power.  Sadly, the book really fell off track for me in the present day narrative, esp after a bit of a time jump. I dont need to love every character and I could see her motivations, but the protagonist of the latter section just didn't work for me. Nor did the somewhat predictable outcome for the youngest primary character.

3.5 stars. Interesting portrait of the ripples created by one person's trials on those around him. Just wish the narrative took a diff path...I liked that it focused on after vs the time Peter spent in the camps but maybe would have been better without the present day time jump.....

Based on a free advance copy in exchange for an unbiased review. Typed on my phone so apologies for typos.

Monday, April 2, 2018

Real characters, New settings: Magical Realism in Fine's What Should Be Wild (A GEM!) and Dystopian Fiction by Erdich with Future Home of the Living God

I won't even pretend I'm going to catch up, but I suppose the benefit of having a few books in my "to review" column is that I can actually present two with a genuine theme. Both of these books involve real characters amid an element of the unreal. In one case, the book would likely be labeled magical realism, while the other is more likely to find itself in the dystopian fiction category.

I'll lead with one that I consider a true gem.

I can't say I'm typically a fan of the books folks categorize as magical realism, but this....this felt both real and was like magic in its ability to transport me into its little world.

Maise has never felt a kiss on her cheek, a warm hand in hers, skin-on-skin. With a simple touch, she can kill. Or, alternately, she can revive. There's a beautiful description of her toddling across a lawn, leaving a brown trail of dead grass behind her; they even had to coat the wood used to build their old home or else it would come alive with her touch. Maise's mother died while carrying her and her scientist father most certainly loves her but also treats her as more of a study subject than a daughter. The woman who serves as a housekeeper, nanny, grandmother, and more loves Maise too but also, as Maise learns, has a life outside her job too.

While this is mostly Maise's story - a coming-of-age tale about learning about the worlds and about herself - it is also the story of women who came before. For centuries, there have been women who simply vanished into the woods. We meet them too, women who never felt quite like they fit in the world and are now trapped in someplace other.

To say much more might be to say too much.  I might already have done so. But this book captured me. The language was lovely. The women were strong and powerful, but also flawed and uncertain of themselves. The love is flawed too, from the father-daughter relationship to the relationship with oneself. I can't easily voice (read: type) what it was about this book that captured me, but I was drawn into its world and wanted to know what happened to every character.

There were a few places/subplots that I didn't care for, but this still ranks as the best book I've read in some time. You need to be willing to suspend disbelief, but you'll be rewarded it you do. 4.5 stars, happily rounded up to 5 when that isn't allowed (but still 4.5 given the few pieces that didn't work for me). I can only return to where this review started, the book finds real (fleshy, full) characters and real internal struggles (loving, fearing, growing) in a world with a bit of magic.
(Review based on an advance copy provided by the publisher in exchange for an honest review)



There's an undercurrent of a tale told before, a woman who loves the parents that raised her dearly seeks out her birth family, motivated to action in part by her own pregnancy. She is the teller of this tale, and she is telling it to her unborn child.

Then there's the twist that moves this woman's tale into the dystopian category -- not only has evolution halted, it seems to be moving backward. And humans do not seem to fit into nature's plan. Pregnancy rates seem to be falling, maternal and infant mortality rates are climbing, and many of the babies that are born seem to be something other. In an early review note, I wrote that it is "a society in which wombs have been a commodity." It is hard to decide whether the natural events or man's reaction to them (which includes registries and efforts to corral pregnant women) are more disturbing.

3.5 stars. I found the concept and, in particular, the portrayal of how society might react in response to the unexpected events quite interesting. It is without question disturbing, but it is well-crafted. Erdich is certainly a true talent. Still, a lot of parts dragged which feels odd to say after the plot summary. I tired of the book. Also, I am not someone who needs a neat and tidy ending, in fact I prefer books that leave shades of grey and where the characters journey on after my "visit" to their world. But this book left too much unresolved for my taste. Also, there is an element of Native American spiritualism, which I did like but which also sometimes felt like it was from a totally different story/book.
(Review based on an advance copy provided by the publisher in exchange for an honest review)